{"id":28792,"date":"2018-02-20T00:00:00","date_gmt":"2018-02-19T23:00:00","guid":{"rendered":"https:\/\/aspeninstitutece.softmedia.cz\/news-article\/art-match-the-future-of-czech-glass\/"},"modified":"2018-02-20T00:00:00","modified_gmt":"2018-02-19T23:00:00","slug":"art-match-the-future-of-czech-glass","status":"publish","type":"news-article","link":"https:\/\/www.aspeninstitutece.org\/cs\/news-article\/art-match-the-future-of-czech-glass\/","title":{"rendered":"Art Match: The Future of Czech Glass"},"content":{"rendered":"<p>This year, the <a href=\"https:\/\/www.aspeninstitutece.org\/project\/art-match\/\">ArtMatch series<\/a> opened\u00a0<span style=\"font-weight: 400;\">on February 19, 2018<\/span>\u00a0with a debate on the future of Czech glass at the Preciosa flagship store. Who are the clients of Czech glass? What international competition does Czech glass face? What is the future outlook for Czech glass? These and other topics were discussed by\u00a0<strong>Tom\u00e1\u0161 Hendrych<\/strong>, co-owner of the\u00a0<a href=\"http:\/\/www.galeriekuzebauch.com\/en_US\/o-galerii\/\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=en&amp;q=http:\/\/www.galeriekuzebauch.com\/en_US\/o-galerii\/&amp;source=gmail&amp;ust=1519214241221000&amp;usg=AFQjCNHi3sHljJgHagrvIvyPp5vHnhQgDA\" rel=\"noopener\">Kuzebauch Gallery<\/a>,\u00a0\u00a0<strong>Milan Hlave\u0161<\/strong>,\u00a0curator of the modern and contemporary glass and ceramics collections\u00a0at the\u00a0<a href=\"http:\/\/www.upm.cz\/?language=en\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=en&amp;q=http:\/\/www.upm.cz\/?language%3Den&amp;source=gmail&amp;ust=1519214241222000&amp;usg=AFQjCNGWJ7x47NjuzFTYvroB5nThvlwX0g\" rel=\"noopener\">Museum of Decorative Arts<\/a>\u00a0in Prague,\u00a0<strong>Stanislav Kadlec<\/strong>,<strong>\u00a0<\/strong>CEO of Preciosa,\u00a0<strong><a href=\"https:\/\/www.zdenek-lhotsky.com\/en\/\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=en&amp;q=https:\/\/www.zdenek-lhotsky.com\/en\/&amp;source=gmail&amp;ust=1519214241222000&amp;usg=AFQjCNGHAEXLwOUulGMblBwWHqQbV3KUpA\" rel=\"noopener\">Zden\u011bk Lhotsk\u00fd<\/a><\/strong>, glass artist and owner of the studio of glass melting sculptures, and\u00a0<strong>Martin Wichterle<\/strong>, <a href=\"http:\/\/www.bomma.cz\/en\/\" rel=\"noopener\">Bomma<\/a> a <a href=\"https:\/\/www.ruckl.cz\/en\/\" rel=\"noopener\">R\u00fcckl Crystal<\/a>. The discussion was moderated by\u00a0<strong>Petr Nov\u00fd<\/strong>, curator of the\u00a0<a href=\"http:\/\/www.msb-jablonec.cz\/en\/\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=en&amp;q=http:\/\/www.msb-jablonec.cz\/en\/&amp;source=gmail&amp;ust=1519214241222000&amp;usg=AFQjCNHbNVc42PTEYOF-pb0nLgtejOls5A\" rel=\"noopener\">Museum of Glass and Jewelry in Jablonec nad Nisou<\/a>\u00a0and editor-in-chief of\u00a0<em>Glassman<\/em>\u00a0<em>and ceramist\u00a0<\/em>magazine.<\/p>\n<p style=\"font-weight: 400;\">Thanks to the speakers as well as to the\u00a0<a href=\"http:\/\/www.bohemianheritage.cz\/\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=en&amp;q=http:\/\/www.bohemianheritage.cz\/&amp;source=gmail&amp;ust=1519214241222000&amp;usg=AFQjCNFkdtVqISIKcW2NJ847ubg3-mrxPQ\" rel=\"noopener\">Bohemian Heritage Fund<\/a>\u00a0and\u00a0<a href=\"https:\/\/www.preciosa.com\/en\/home\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=en&amp;q=https:\/\/www.preciosa.com\/en\/home&amp;source=gmail&amp;ust=1519214241222000&amp;usg=AFQjCNGP0cJ72WSZ76RLRenE2pTw_Kcc4g\" rel=\"noopener\">Preciosa<\/a>\u00a0for their great cooperation. We are looking forward to the next ArtMatch discussion!<\/p>\n<p style=\"font-weight: 400;\">\u00a0<a class=\"btn view-secondary-text\" href=\"https:\/\/www.youtube.com\/watch?v=TAL_GBT2GUs&amp;t=2361s\" rel=\"noopener\">Videoz\u00e1znam debaty<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The first discussion of ArtMatch series in 2018 on future outlooks for Czech glass, organized in cooperation with Bohemian Heritage Fund and Preciosa.<\/p>\n","protected":false},"featured_media":16821,"template":"","meta":{"_acf_changed":false},"news-tag":[579],"class_list":["post-28792","news-article","type-news-article","status-publish","has-post-thumbnail","hentry","news-tag-artmatch-cz"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.aspeninstitutece.org\/cs\/wp-json\/wp\/v2\/news-article\/28792","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.aspeninstitutece.org\/cs\/wp-json\/wp\/v2\/news-article"}],"about":[{"href":"https:\/\/www.aspeninstitutece.org\/cs\/wp-json\/wp\/v2\/types\/news-article"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.aspeninstitutece.org\/cs\/wp-json\/wp\/v2\/media\/16821"}],"wp:attachment":[{"href":"https:\/\/www.aspeninstitutece.org\/cs\/wp-json\/wp\/v2\/media?parent=28792"}],"wp:term":[{"taxonomy":"news-tag","embeddable":true,"href":"https:\/\/www.aspeninstitutece.org\/cs\/wp-json\/wp\/v2\/news-tag?post=28792"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}